Since her mom died, Andie’s family has crumbled. Instead of working, her dad gambles away insurance money, while her sister, Paige, has put her future on hold in order to pick up extra waitressing shifts. Andie’s afraid of what will happen if people find out just how bad things are. She’s not sure how long she can hide the fact that there’s no food or money in the house...or adults, for that matter.
When her science partner suggests they study paranormal activity, Andie gets an idea. She wants a sign from her mom—anything to tell her it’s going to be okay. Maybe the rest of her family does too. So she starts a project of her own. Pretending to be her mother’s ghost, Andie sprays perfume, changes TV channels, and moves pictures. Haunting her house is Andie’s last hope to bring her family back into the land of the living.
"Clasen sensitively depicts narrator Andie’s navigation of her new reality as she attends group-therapy sessions at school, allows herself to get to know her mother through her mother’s journals, and embraces new friends."
Seventeen-year-old Catherine Pulaski knows Zero is coming for her. Zero, the devastating depression born of Catherine’s bipolar disorder, almost triumphed once; that was her first suicide attempt.
Being bipolar is forever. It never goes away. The med du jour might work right now, but Zero will be back for her. It’s only a matter of time.
And so, in an old ballet-shoe box, Catherine stockpiles medications, preparing to take her own life before Zero can inflict its living death on her again. Before she goes, though, she starts a short bucket list.
The bucket list, the support of her family, new friends, and a new course of treatment all begin to lessen Catherine’s sense of isolation. The problem is, her plan is already in place, and has been for so long that she might not be able to see a future beyond it.
This is a story of loss and grief and hope, and how some of the many shapes of love—maternal, romantic, and platonic—affect a young woman’s struggle with mental illness and the stigma of treatment.
"Catherine's acerbically witty narrative voice is razor sharp and often raw, and the confessional tone of her present-tense narration makes clear how overwhelming her pain is... An honest, informative, and ultimately optimistic novel about living with mental illness. "
Some secrets are better left at the bottom of the ocean.
Sixteen-year-old Bridey Corkill longs to leave her small island and see the world; the farther from the sea, the better. When Bridey was young, she witnessed something lure her granddad off a cliff and into a watery grave with a smile on his face. Now, in 1913, those haunting memories are dredged to the surface when a young woman is found drowned on the beach. Bridey suspects that whatever compelled her Granddad to leap has made its return to the Isle of Man.
Soon, people in Bridey’s idyllic village begin vanishing, and she finds an injured boy on the shore—an outsider who can’t remember who he is or where he’s from. Bridey’s family takes him in so he can rest and heal. In exchange for saving his life, he teaches Bridey how to master her fear of the water—stealing her heart in the process.
But something sinister is lurking in the deep, and Bridey must gather her courage to figure out who—or what—is plaguing her village, and find a way to stop it before she loses everyone she loves.
"While first-time novelist Marsh draws heavily on standard paranormal tropes (the enigmatic love interest, for example), her evocative setting, memorable characters, and use of obscure folkloric elements all contribute to the novel’s strong sense of place."
My review: Oh, what a lovely book this is! Set on the Isle of Man in the early 20th century, FEAR THE DROWNING DEEP is utterly steeped in the island's superstitions, folklore, and culture. The island and its people come alive in these pages--nosy neighbors, dangerous seas, old stories and all--and I just love how rich it all feels, with a real sense of history and community.
I also adore the main character Bridey, to determined to protect her loved ones and her home in spite of her fears and her dreams of traveling the world, and her relationship with her family, her friends, her home. The sense of connection and shared history between all the people in this isolated little town feels so strong--both the good, between friends, and the bad, when it comes to long-harbored suspicions and rumors.
I am not saying anything about how great the sea monsters are, because to say that would be to spoil things that are best left unspoiled, so rest assured there are sea monsters and they are great. Sometimes with lots of teeth.
Reading this book felt like taking a trip into a magical, occasionally terrifying past, all described is beautiful detail, and I enjoyed every page. I can't wait to read whatever Sarah Glenn Marsh writes next--whatever it is, I'm sure it will once again feel like immersing myself into a weird and wonderful place I can only visit through her words.
It’s Boston, 1919, and the Cast Iron club is packed. On stage, hemopaths—whose “afflicted” blood gives them the ability to create illusions through art—Corinne and Ada have been best friends ever since infamous gangster Johnny Dervish recruited them into his circle. By night they perform for Johnny’s crowds, and by day they con Boston’s elite.
When a job goes wrong and Ada is imprisoned, she realizes how precarious their position is. After she escapes, two of the Cast Iron’s hires are shot, and Johnny disappears. With the law closing in, Corinne and Ada are forced to hunt for answers, even as betrayal faces them at every turn.
"In Soria’s quick-paced third-person narrative, threats gather and mysteries deepen, failing or succeeding, but the girls’ mutual loyalty and trust never waver. Energetic and original, this alternative history, fantasy, and mystery mashup with its pair of smart, resourceful, flawed but engaging heroines never disappoints."