All her life, sixteen-year old Piper has been content to go along with her ultraconservative family’s mission to warn the heathens of the impending judgment of God through anti-gay protests. So when she’s cast as Romeo in her school’s production of Romeo & Juliet, Piper is as shocked as everyone else. The production proves to be vastly different than her other on-stage experiences— previously limited to playing “AIDS Girl” in her church’s annual “Hell House”— and Piper soon discovers not only does she love acting, she’s also pretty talented.
The school principal, influenced by people like Piper’s dad, demands that the part of Romeo be recast “appropriately” or the show cannot go on. Now, Piper faces a choice: become the figurehead to appeal the principal’s decision— in direction opposition to her family and everything she’s ever believed—, or accept the message the administration’s ultimatum sends to gay students, including someone she has come to call a close friend. Namely, that they should be ashamed of who they are or whom they happen to love.
For the old Piper, it would have been a no-brainer. But being Romeo has affected her in ways she never imagined, and so has her new friendship. Now Piper finds herself face to face with the real cost of all her family’s efforts, and it challenges everything she thought she knew about life. And God.
Charlotte Davis is in pieces. At seventeen she’s already lost more than most people do in a lifetime. But she’s learned how to forget. The broken glass washes away the sorrow until there is nothing but calm. You don’t have to think about your father and the river. Your best friend, who is gone forever. Or your mother, who has nothing left to give you.
Every new scar hardens Charlie’s heart just a little more, yet it still hurts so much. It hurts enough to not care anymore, which is sometimes what has to happen before you can find your way back from the edge.
A deeply moving portrait of a girl in a world that owes her nothing, and has taken so much, and the journey she undergoes to put herself back together. Kathleen Glasgow’s debut is heartbreakingly real and unflinchingly honest. It’s a story you won’t be able to look away from.
"Glasgow skillfully juggles multiple difficult topics (homelessness, self-harm, etc.) without dipping into melodrama. Charlie’s intimate first-person narration places readers deep within her experience while maintaining awareness of the outside world and the people in it."
"Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together."